FEATURED PUBLICATIONS
Brannigan, Erin. 2019. What ever happened to Dance Criticism? In Thomas, H., & Prickett, S. (Eds.). (2019). The Routledge Companion to Dance Studies (1st ed.). Routledge
Dancing Sydney Review Platform 2025+
Performance Review 2016+
Van Hout, Vicki. 2013+ FORM Dance Projects Blog
OTHER PUBLICATIONS on AUSTRALIAN CONTEMPORARY DANCE (by year)
Bold type means these articles/chapters/journals/books are accessible online.
2024
Brannigan, Erin. 2024. Precarious Movements: Dance and the Museum with Pip Wallis, Hannah Mathews, Louise Lawson and Amita Kirpalani, National Gallery of Victoria
Brannigan, Erin, Siobhan Murphy & Tia Reihana-Morunga (ed.) 2024, Moving South: The Reconceptialisation of dance research in the 2020s, Performance Paradigm, No. 19, pp.1-8
Gissell, Tammi. 2024. Response and Responsibility: First Nations Performance and Public Collections, in conversation with Juanita Kelly-Mundie, Performance Paradigm, No. 19, pp.9-27
Keebler, Susannah, 2024. Embedded Dancer: A Model for Regional Dance Practice Survival in the Context of Crisis, Performance Paradigm, No. 19, pp.68-87
Leach, Paea 2024. a K Ō R E R O & a H U I : a conversation and a meeting in three parts, Performance Paradigm, No. 19, pp.109-124
Mehta, Alesha, 2024. Ritualistic Explorations towards Kama in Autoethnographic Creative Practice, Performance Paradigm, No. 19, pp.125-133
McNeilly, Jodie, 2024. Choreocraftivism: small gestures, gentle action and caring for things, Performance Paradigm, No. 19, pp.28-49
Newton, Rhiannon, 2024. Embodying an Ecological Condition: A Dance Practice Approach to Sensing Multiplicity, Performance Paradigm, No. 19, pp.50-67
Richards, Bree, 2004. Axe Arc Echo, Angela Goh, Performance Review.
Tonkin, Maggie, 2024. Choreographies of Collapse: Located and Unlocated Catastrophe in Works by Lucy Guerin, Garry Stewart and Meryl Tankard, Performance Paradigm, No. 19, pp.88-108
Van Hout, Vicki. 2024. Horizon: Bangarra's Unapologetic Proclaimation of Identity. Australian Book Review (28 June).
Van Hout, Vicki. 2024. Talking, Dancing, Hearing, Seeing, Writing, Reading: Notes on Plenty Serious TALK TALK. In Writing Choreography, edited by Leena Rouhiainen, Kirsi Heimonen, Rebecca Hilton, Chrysa Parkinson. Routledge.
2023
Wait, Nalina. 2023. Improvised Dance: (In) Corporeal Knowledges, Routledge
2021
De Quiney, Tess. 2021. Body Weather Bodies in the Outback—Lake Mungo. Theatre, Dance and Performance Training 12 (3): 317-333
Gilbert, Helen, Dalisa Pigram and Rachael Swain (eds.). 2021. Marrageku: Telling that Story. Performance Research Books, 2021.
2020
Swain, Rachael. 2020. Dance in Contested Land: New Intercultural Dramaturgies. Palgrave Macmillan.
2019
Brannigan, Erin. 2019. RealTime dances: the big picture Response: Dialogues with RealTime.
Brannigan, Erin. 2019. What ever happened to Dance Criticism? In Thomas, H., & Prickett, S. (Eds.). (2019). The Routledge Companion to Dance Studies (1st ed.). Routledge
de Quincey, Tess. 2019. A Future Body, In The Twenty-First Century Performance Reader, edited by Teresa Brayshaw, Anna Fenemore and Noel Witts. Routledge.
Healey, Sue. 2019, Capturing the Vanishing: A choreographer and film, Platform Paper No. 60, Currency House.
2018
De Quincey, Tess. 2018. Space, Place and In between. What is Performance Art? Australian Perspectives, edited by Adam Geczy and Mimi Kelly. Sydney.
Long, Julie-Anne. 2018. People Like Us: Revolutions in Australian Theatre, Narrative in performance, editors B. Sellers-Young & J. R. McCutcheon, Red Globe Press.
Long, Julie-Anne. 2018. More Bums on Seat : Branch Nebula : Choreographing the Audience, Runway: Australian Experimental Art, No. 36
Wait, Nalina and Erin Brannigan. 2018. Non-Competitive Body States: Corporeal Freedom and Innovation in Contemporary Dance, in Sherril Dodds (ed.), The Oxford Handbook of Dance and Competition, Oxford Handbooks.
2017
Brown, Carol. 2017. Entangled histories, part 1: Releasing the Archive. Journal of Dance & Somatic Practices Vol. 9, No.1, 57-74.
Long, Julie-Anne. 2017. Tactical moves in strategic places: performing Val, The Invisible in the MCA, Australia, Performance Paradigm, 13, 80-96
Tonkin, Maggie. 2017. Fifty: Half a Century of Australian Dance Theatre. Wakefield Press.
2016
Card, Amanda. 2016 Gertrud Bodenwieser (1890-1959). The Routledge Encyclopedia of Modernism. Taylor & Francis.
2015
Pigram, Dalisa and Rachael. 2015. Cut the Sky: Traces of Experimentation in Dance and Dramaturgy in the Age of the Anthropocene. Global Performance Studies Vol.1, No.2.
Stock, Cheryl. 2015. From Urban Cities and the Tropics to Site-dance in the World Heritage Setting of Melaka: An Australian Practitioner’s Journey. In Moving sites: Investigating Site-specific Dance Performance, edited by Victoria Hunter. Routledge.
Swain, Rachael. 2015. A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance. Theatre Journal 67 (3): 503-521.
2014
Brannigan, Erin. 2014. Multiple introductory texts. Bodies of Thought: 12 Australian Choreographers. Eds. Brannigan and Baxter. Kent Town SA: Wakefield Press. 1-3, 4-5, 46-47, 92-93, 132-133.
Brannigan, Erin. 2014. Morphia Series: Choreographing Texture. Bodies of Thought: 12 Australian Choreographers. Eds. Brannigan and Baxter. Kent Town SA: Wakefield Press. 138-142.
Card, Amanda. 2014. Nerve 9: A world with(out) words. Bodies of Thought: Twelve Australian Choreographers. Eds. Erin Brannigan, Virginia Baxter, Kent Town SA: Wakefield Press. 150-159.
Long, Julie-Anne. 2014. Fine Line Terrain: The geography of dance. In Bodies of Thought: Twelve Australian Choreographers. Eds. Erin Brannigan, Virginia Baxter, Kent Town SA: Wakefield Press.
Swain, Rachael. 2014. Burning Daylight: Contemporary Indigenous Dance, Loss and Cultural Intuition. In Ethics and the Arts, edited by Paul Macneill. Springer.
Swain, Rachael. 2014. Time and a Mirror: Towards a hybrid dramaturgy for intercultural-indigenous performance. In New dramaturgy: International perspectives on theory, edited by Katalin Trencsényi and Bernadette Cochrane. Bloomsbury.
2013
Fensham, Rachel. 2013. ‘Breakin’ the Rules’: Eleo Pomare and the Transcultural Choreographies of Black Modernity. Dance Research Journal 45 (1): 40-63.
2012
Card, Amanda. 2012. Together in Isolation: New Moves across Time and Place, In Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge.
Lester, Gary. 2012. Contemporary Indigenous Dance: The Importance of NAISDA. In Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge.
Miller, Marilyn. 2012. Treading the Pathways: Independent Indigenous Dance. In Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge.
Page, Stephen and Cheryl Stock. 2012. Awakening the Spirit: Telling the Stories. In Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge.
Potter, Michelle. 2012. Meryl Tankard: An Original Voice. Dance Writing and Research
Stock, Cheryl. 2012. Different Inflections. In Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge
2010
Brown, Carol. 2010. Migration and Memory: The Dances of Gertrud Bodenwieser. Dance Advance at Pew Centre for Arts and Heritage.
2003
de Quincey, Tess. 2003. Burning Point. About Performance 5: 21–24.
de Quincey, Tess. 2003. Overview Description of Triple Alice. About Performance 5: 25-27.