Dance Publications

Bold = direct online access to listed publication

Anderson, Margo. 2020. Dance Overview of the Australian Performing Arts Collection, Dance Research, Vol. 38, No. 2.

Asker, Don. 2003. Qualitative reflections on collaborative improvisation, Brolga, No. 19. December

Baylis, John, 2019. Branch Nebula: Seeking flow, In Response: Dialogues with RealTime, Erin Branningan (ed). UNSW

Benjamin, Narelle. 2010. Motion as expression and communication, Brolga, No. 33, 2010

Blanco, Melissa. 2009. Becomings and belongings: Lucy Guerin's The Ends of Things, Brolga, No. 31, December

Bollen, Jonathan. 2009. Maybe we're not human: translating actions and effects between humans and machines in Australian Dance Theatre's 'Devolution', Brolga, No. 31, December

Boucher, Georgie. 2009. Yumi Umiumare’s Das SHOKU Hora!!: critique through ‘cross’-cultural femininity, Brolga, No. 31, December

Branigan, Ernin. 2009. The Life of Dance, What Do I think About When I Think About Dancing, Lisa Havilah, Emma Saunders, Susan Gibb (eds), Campbelltown Arts Centre, 89-90

Brannigan, Erin. 2010. Moving Across Disciplines: Dance in the 21st Century, Platform Paper, No. 25, Currency House.

Brannigan, Erin. 2012. Transposing style: Martin del Amo’s new solo works, Brolga, No. 36, June

Brannigan, Erin. 2014. Multiple introductory texts. Bodies of Thought: 12 Australian Choreographers, Erin Brannigan and Virginia Baxter (eds), Wakefield Press, 1-3, 4-5, 46-47, 92-93, 132-133.

Brannigan, Erin. 2014. Helen Herbertson: Morphia Series, Bodies of Thought: 12 Australian Choreographers. Erin Brannigan and Virginia Baxter (eds), Wakefield Press, 138-142.

Brannigan, Erin. 2015. Dance and the Gallery: Curation as Revision, Dance Research Journal, Vol. 47, No. 1, 5-25

Brannigan, Erin. 2017. Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work, Performance Paradigm, Vol. 13, 97 - 117

Brannigan, Erin, 2018. Dance in the Gallery: Process and Memory, Invisible Histories, 8-17

Brannigan, Erin. 2019. Talking Back: What Dance might make of Badiou’s philosophical project, Performance Philosophy, Vol. 4, No. 2, 354-373

Brannigan, Erin. 2019. What ever happened to Dance Criticism? In Thomas, H., & Prickett, S. (Eds.). (2019). The Routledge Companion to Dance Studies (1st ed.). Routledge

Brannigan, Erin. 2019. Curatorial Introduction, In Response: Dialogues with RealTime, Erin Branningan (ed). UNSW

Brannigan, Erin. 2023. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art, University of Michigan Press

Brannigan, Erin. 2023. Dancing into the Museum, Art Guide

Brannigan, Erin & Virginia Baxter (eds). 2014. Bodies of Thought: 12 Australian Choreographers. Erin Brannigan and Virginia Baxter (eds), Wakefield Press

Brannigan, Erin & Hannah Mathews. 2017. Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability, Performance Paradigm, Vol. 13. 1-6

Brannigan, Erin & Rhiannon Newton, 2018. Propositions for doing dancing, Erin Brannigan and Rhiannon Newton in dialogue with Newton’s Doing Dancing (Firstdraft Gallery, Sydney, 2nd August – 25th August 2017), Runway Experimental Art Magazine, No. 36

Brannigan, Erin & Louise Lawson, 2023. Precarious Movements: Contemporary Dance as Contemporary Art, Performance: The Ethics and the Politics of Care, Routledge, 278-292.

Brannigan, Erin, Siobhan Murphy & Tia Reihana-Morunga (ed.) 2024, Moving South: The Reconceptialisation of dance research in the 2020s, Performance Paradigm, No. 19, 1-8

Brannigan, Erin, with Pip Wallis, Hannah Mathews, Louise Lawson and Amita Kirpalani. 2024. Precarious Movements: Dance and the Museum, National Gallery of Victoria

Brickhill, Eleanor. 2009. Fitting in: reflections on a dance research project, Brolga, No. 31, December

Brown, Carol. 2010. Migration and Memory: The Dances of Gertrud Bodenwieser, Dance Advance at Pew Centre for Arts and Heritage.

Brown, Carol. 2017. Entangled histories, Part 1: Releasing the Archive. Journal of Dance & Somatic Practices, Vol. 9, No.1,

Brown, Carol. 2019. Field Guide for Choreography as Research, Nival, 57-74.

Brown, Carol. 2025. Braiding, A Fluid Dramaturgy, The Routledge Companion to Site-Specific Performance.

Brissenden, Alan and Keith Glennon. 2010. Australia Dances: Creating Australian Dance 1945-1965, Wakefield Press.

Burridge, Stephanie. 2012. Connecting Through Dance and Story, Shaping the Landscape: Celebrating Australian Dance, Stephanie Burridge and Julie Dyson (eds). Routledge.

Campbelltown Arts Centre, 2024. Movement Movement: Dance Sector Symposium. Report Coordinator, Anthea Doropoulos. Report Editor, Sarah-Vyne Vassallo.

Card, Amanda. 1999. Prominence in Obscurity: Sonia Revid in Melbourne 1932-1945, Brolga, 10, June, 7-19

Card, Amanda, 2002. Choreographing a Continent: modern dance and constructions of national identity in Australia, Choreography and Dance, Vol. 4, Part 2/3.

Card, Amanda. 2008. Art dance, burlesque and body culture: negotiating interwar modernities, Impact of the modern: vernacular modernities in Australia 1870s-1960s, Robert Dixon and Veronica Kelly (eds), University of Sydney Press.

Card, Amanda, 2008. Body for Hire: the State of Dance in Australia, Platform Paper, No. 8. Currency House

Card, Amanda. 2009. Temporal Surrender, What Do I think About When I Think About Dancing, Lisa Havilah, Emma Saunders, Susan Gibb (eds), Campbelltown Arts Centre, 29-35

Card, Amanda. 2010. Homage and critique in contemporary dance: or a reverie on the lasting legacy of Yvonne Rainer's NO manifesto. Brolga, Vol 32, No. 1, 15-21

Card, Amanda. 2011. Feeling for Dancing in the archives of the dead, Scrapbooks, Snapshots and Memorabilia: hidden archives in performance, Glen McGillivray (ed.), Peter Lang

Card, Amanda. 2011. Tethering the Flow: Dialogues between Dance, Physical Culture and Antiquity in Interwar Australia, Dancing Naturally, Alexandra Carter & A., Rachel Fensham (eds), Palgrave Macmillan.

Card, Amanda. 2012. Anatomy of a Dance Work, Brolga, No. 36. June

Card, Amanda. 2012. Do Try This At Home: Dance Manuals, Myopia and Misrecognition, A World of Popular Entertainments: An Edited Volume of Critical Essays, Gillian Arrighi and Victor Emeljanow (eds.), Cambridge Scholars Publishing,118-133

Card, Amanda. 2012. Research and ‘Anatomy of an Afternoon’, Brolga, No. 36. June

Card, Amanda. 2012. Together in Isolation: New Moves across Time and Place, Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge, 155-173

Card, Amanda. 2014. Tess Dequincy: Nerve 9, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press. 150-159

Card, Amanda. 2015 Dancing Modernists in Oceania, The Modernist World, Stephen Ross & Allana Lindgren (eds.) , Routledge, 225-264

Card, Amanda. 2016 Gertrud Bodenwieser (1890-1959), The Routledge Encyclopedia of Modernism, Taylor & Francis.

Card, Amanda, 2019. Body and Embodiment, Routledge Handbook of Reenactment Studies: Key Terms in the Field, Vanessa Agnew et al (ed.) Routledge.

Card, Amanda. 2019. Martin del Amo on the Pages of RealTime, In Response: Dialogues with RealTime, Erin Brannigan (ed.), UNSW

Chan, Kristina. 2012. Intimacy and distance:time spent with 'Anatomy of an Afternoon', Brolga, No. 36, June

Coleman, Luncinda. 2014. Conversations on the frontlines of the body, Ausdance

Conquet, Angela & Philipa Rothfield. 2024. Competing Choreogreaphies: 10 years of the Keir Choreographic Award, The Keir Foundation

Crisp, Rosalind. 2009. The d a n s e project, Rosalind Crisp 2005–09, Catalogue, Omeo Dance

Crisp, Rosalnd, 2009, Thinking Dance, What Do I think About When I Think About Dancing, Lisa Havilah, Emma Saunders, Susan Gibb (eds), Campbelltown Arts Centre, 103-104

Crisp, Rosalind. 2025. DIRt: Dance in Regional disaster zones. Workroom, Omeo Dance

Dalmon, Elizabeth Cameron & Michael Keegan-Dolan, 2023. Dancing is shape-shifting, Dance On! Dancing through Life, Stephanie Burridge and Svendler Nielsen (eds), Routledge

Day, Matthew. 2012. Uncommon men: Matthew Day interviews Martin del Amo, Brolga, No. 36, June

De Quincey, Tess. 2003. Burning Point. About Performance 5: 21–24.

De Quincey, Tess. 2003. Overview Description of Triple Alice. About Performance 5: 25-27.

De Quincey, Tess. 2010. Thinking through dance—dancing through thought, Brolga, No. 33, December

De Quincey, Tess. 2018. Space, Place and In between. What is Performance Art? Australian Perspectives, edited by Adam Geczy and Mimi Kelly. Sydney.

De Quincey, Tess. 2019. A Future Body, In The Twenty-First Century Performance Reader, edited by Teresa Brayshaw, Anna Fenemore and Noel Witts. Routledge.

De Quiney, Tess. 2021. Body Weather Bodies in the Outback—Lake Mungo. Theatre, Dance and Performance Training Vol. 12 No. 3, 317-333

Del Amo, Martin. 2010. Working solo, Brolga, No. 33, December

Del Amo, Martin. 2012. Thoughts on the making of ‘Anatomy of an Afternoon’, Brolga, No. 36. June

Dempster, Elizabeth & Erin Brannigan. 2014. Ros Warby: Swift, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 32-43

Donolley, Merindah. 2024. Dancing Place, Competing Choreogreaphies: 10 years of the Keir Choreographic Award, Angela Conquet & Philipa Rothfield (eds), The Keir Foundation, 88-99

Dunlop McTavish, Shona, 1987. An Ecstasy of Purpose: the life and art of Gertrud Bodenwieser, Les Humphrey and Associates

Dyson, Clare, 2010. Variations in proximity as a tool for audience engagement, Brolga, No. 32, June

Ellis, Louis. 1998. About Margaret Barr, Brolga, No. 9

Ellis, Simon & Rebecca Hilton. 2019. From Verb to Noun and Back Again. Thoughts on Documenting Practice Based Artistic Research, Nival, Vol. 10

Fensham, Rachel. 2004. Australian University Theses on Dance 1990-2005, Ausdance

Fensham, Rachel. 2013. ‘Breakin’ the Rules’: Eleo Pomare and the Transcultural Choreographies of Black Modernity. Dance Research Journal 45 (1): 40-63.

Fensham, Rachel. 2014. Stephen Page: Skin. Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 120-131

Fensham, Rachel. 2023. An Artist Speaks “the Intellect Travels in Many Different Directions: Talkin’ with Eleo Pomare (1937-2008), Dance Research Journal, Vol 55, Issue 1

Fisher, Lynn. 1995. Irene Vera Young and the Early Modern Dance in Sydney, Brolga, No. 2, June

Forbes, Luke. 2018. Where’s the dancing?: Dance Aesthetics in Critical Responses to the 2016 Keir Choreographic Awards, Runway Experimental Art Magazine, No. 36

Frankenhaeuser, Anca & Patrick Harding-Irmer with Eileen Kramer, 2023. A life in dance: Collaborating and working together, Dance On! Dancing through Life, Stephanie Burridge and Svendler Nielsen (eds), Routledge

Fraser, Peter. 2016. Gaps in the body: attention and improvisation, Brolga, No. 40. March

Fuhrmann, Andre. 2023. Under the volcano: Encountering La(r)val anxieties in Metal, Choreographic Practices, Vol. 14, December, 139-156

Gallasch, Keith. 2018. Looped, Runway Experimental Art Magazine, No. 36

Gardiner, Sally. 2014. Russell Dumas: dance for the time being. Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 8-17

Gardiner, Sally. 2017. Noa Eshkol in the Sydney Biennale: A Translation, Performance Paradigm, No. 13, 196-200

Gilbert, Helen, Dalisa Pigram and Rachael Swain (eds.). 2021. Marrageku: Telling that Story. Performance Research Books

Ginot, Isabelle & Edwidge Phitoussi. 2014. Rosalind Crisp: d a n s e, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 20-29

Gissell, Tammi. 2024. Response and Responsibility: First Nations Performance and Public Collections, in conversation with Juanita Kelly-Mundie, Performance Paradigm, No. 19, 9-27

Gordon, Paige. 2002. Theatres of life, Brolga, No.17, December

Grant, Caitlyn. 2022. Modern dance individualism: the art of Sonia Revid, Blog, State Library of Victoria

Green, Gabriela. 2020. Social Bodies: full of history and experience: Response to Keir Choreographic Award Public Program at Carriageworks Sydney, 9 – 14th March 2020, Runway Experimental Art Magazine, No.

Hadley, Bree. 2007. Unthinkable complexity: dance, datascapes and the desire to connect in Lucy Guerin’s Aether, Brolga, No. 27, December

Harris, Amanda. 2017. Pan-Indigenous Encounter in the 1950s: ‘Ethnic Dancer’ Beth Dean, Australian Historical Studies, Vol. 48, No. 3, 328-345

Harris, Joanne. 2004. Margaret Barr, storyteller Part one: Snowy, Brolga, No. 20. June

Harris, Joanne. 2004. Margaret Barr, storyteller part two: Climbers, Brolga, No. 21, December

Haskins, Victoria. 2007. Dancing in the Dust: a gendered history of Indigenous Australian cultural identity, Intersections: Gender, Race and Ethnicity in Australasian Studies, Margaret Allen & R. K. Dhawan (eds), Prestige, 55-75

Healey, Sue. 2019, Capturing the Vanishing: A choreographer and film, Platform Paper, No. 60, Currency House

Herbertson, Helen. 2010. Thoughts on work, October 2010, Brolga, No. 33, December

Hilton, Rebecca. 2017. Dancerness, Performance Paradigm, No. 13, 196-200

Hilton, Rebecca. 2017. What What We Do Does, Performance Paradigm, No. 13, 201-204

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Juers, Evelyn, 2021. The Dancer: a biography of Phillipa Cullen, Giramondo

Keebler, Susannah, 2024. Embedded Dancer: A Model for Regional Dance Practice Survival in the Context of Crisis, Performance Paradigm, No. 19, 68-87

Kenny, Kath. 2025. The Drama of Dance, The Dance of Drama. Article on the choreographer/teacher Margaret Barr (1904 – 1991), Open Book, Spring, State Library of NSW.

Klich, Rosemary & Keith Gallasch, 20§4. Kate Champion: Already Elsewhere, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 108-117

Lasica, Shelley. 2010. Retrospective, Brolga, No. 33. December

Lasica, Shelley. 2017. Do You Do This Often? Performance Paradigm, No. 13, 80-96

Leach, Paea 2024.a K Ō R E R O & a H U I : a conversation and a meeting in three parts, Performance Paradigm, No. 19, 109-124

Lester, Garry. 1998. Kai Tai Chan (pt 1): fingers dancing in the dark, Brolga, No. 28, June

Lester, Garry. 1999. Kai Tai Chan (pt 2): the London years, Brolga, No. 29, June

Lester, Garry. 2004. Volatile grace, Brolga, No. 21, December

Lester, Garry. 2006. Galvanising community: Margaret Barr at Dartington Hall 1930– 934 (pt 1), Brolga, No. December

Lester, Garry, 2007. Galvanising community: Margaret Barr at Dartington Hall 1930–1934 (pt, 2), Brolga, No. 26, June

Lester, Garry. 2012. Contemporary Indigenous Dance: The Importance of NAISDA. Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge.

Long, Julie-Anne, 1999-2014. RealTime reviews, RealTime Archive.

Long, Julie-Anne, 2009. Myspacestory (Part One), What Do I think About When I Think About Dancing, Lisa Havilah, Emma Saunders, Susan Gibb (editors), Campbelltown Arts Centre, 109-112

Long, Julie-Anne. 2010. Mystory #5: Picnic at Hill End — an artist's account and diary, Brolga, No. 33, December

Long, Julie-Anne. 2017. Tactical moves in strategic places: performing Val, The Invisible in the MCA, Australia, Performance Paradigm, 13, 80-96

Long, Julie-Anne. 2018. More Bums on Seat : Branch Nebula : Choreographing the Audience, Runway: Australian Experimental Art, No. 36

Long, Julie-Anne. 2018. People Like Us: Revolutions in Australian Theatre, Narrative in performance, editors B. Sellers-Young & J. R. McCutcheon, Red Globe Press.

Long, Julie-Anne & Erin Brannigan. 2014. Sue Healey: Fine Line Terrain, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 160-173

Lucas, Brian. 2010. The mentor—mentored, Brolga, No. 33, December

Marchant, Jason. 2016. Dance improvisation: why warm up at all?, Brolga, No. 40, March

Marshall, Jonathan W. 2012. Ausdruckstanz, faith and the anthropological impulsea critical analysis of the career of Shona Dunlop MacTavish, Brolga, No. 37

Marshall, Jonathan W. 2006. Dancing the Elemental Body: Butoh and Body Weather: Interviews with Tanaka Min and Yumi Umiumare, Performance Paradigm, No. 2, 59-78

Mckechnie, Shirley. 2003. ‘Disagreeable Object’ a work devised and performed by Michelle Heaven, Brolga, No. 18, June

Mckechnie, Shirley, Jordan Beth Vincent & Erin Brannigan. 2014. Meryl Tankard: Furioso, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 94-105

McKenzie, Vahri. 2017. Placing knowledge in the body: Western Australian choreographers dancing ‘With a Bullet’, Brolga , 41, December

McKernan, Jane, Elizabeth Ryan & Emma Saunders, 2010. The Fondue Set present…The Fondue Set, Brolga, No. 33, December

McLeod, Shaun. 2016. The ethos of the mover/witness dyad:an experimental frame for participatory performance, Brolga, No. 40, March

McLeod, Shaun. 2017. Overexposed, yet rarely seen. Dance improvisation as performance in the Australian context, Brolga, No. 41, December

McNeilly, Jodie, 2024. Choreocraftivism: small gestures, gentle action and caring for things,‍ ‍Performance Paradigm, No. 19, 28-49

Mehta, Alesha. 2024. Ritualistic Explorations towards Kama in Autoethnographic Creative Practice, Performance Paradigm, No. 19,125-133

Millard, Olivia. 2013. Dancing habitus: the formation of a group (dance), Brolga, 38, September

Millard, Olivia. 2015. Moving Towards a Group Dance, The International Journal of arts Theory and History, Vol. 10 No. 3, March

Millard, Olivia. 2016. What’s the score? Using scores in dance improvisation, Brolga, No. 40, March

Millard, Olivia. 2017. Dancing participation: Observations of a long-term group dance improvisation practice, Brolga, No. 41

Millard Olivia, 2023, Practising sameness: Inside a long-term dance improvisation practice, Journal of Dance & Somatic Practices, Vol. 15, June

Millard, Olivia & Kate Hunter. 2024. The imperative of the present: Improvisation and the ageing body, Journal of Dance & Somatic Practices, Vol. 16, No 1&2, December

Miller, Marilyn. 2012. Treading the Pathways: Independent Indigenous Dance. Shaping the Landscape: Celebrating Australian Dance, edited by Stephanie Burridge and Julie Dyson. Routledge

Mokotow, Anny. 2018. Fuckdog, an (political) act, works by Jo Lloyd, Shian Law and Tina Havelock Stevens, presented by Performance Space, Carriageworks, Liveworks Festival 2017, Runway: Australian Experimental Art, No. 36

Murphy, Graeme & Janet Vernon in conversation with Shirley Gibson. 2023. The joy of life experience in contemporary dance, Dance On! Dancing through Life, Stephanie Burridge and Svendler Nielsen (eds), Routledge

Murphy, Siobhan. 2012. A Narrative of Practice, Live Research: Methods of Practice-led inquiry in performance, L Mercer, J Robson and D Fenton (eds), Ladyfinger: Nerang, 21-31.

Murphy, Siobhan. 2012. Writing Practice, Live Research: Methods of Practice-led inquiry in performance, L Mercer, J Robson and D Fenton (eds), Ladyfinger: Nerang, 164-175.

Murphy, Siobhan. 2013. Writing Performance Practice, The Exposition of Artistic Research: Publishing Art in Academia, M. Schwab and H. Borgdorff (eds.), Amsterdam University Press, 177–191.

Murphy, Siobhan. 2020. Screendance Portraiture: Truth, Transaction, and Seriality in 52 Portraits. Dance Research Journal, Vol. 52, No. 3, 42-57.

Murphy, Siobhan. 2021. Two-way Mirrors: Dancing in the Zoomosphere. The International Journal of Screendance, Vol. 12.

Myers, Jeff. 2012. Generations Dancing. Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge

Newton, Rhiannon, 2024. Embodying an Ecological Condition: A Dance Practice Approach to Sensing Multiplicity, Performance Paradigm, No. 19, 50-67

Nicholas, Larraine. 2007. Dancing in Utopia: Dartington Hall and its Dancers, Dance Books (material on Margaret Barr)

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Page, Stephen and Cheryl Stock. 2012. Awakening the Spirit: Telling the Stories. Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge.

Patrick, Trevor. 2010. Some thoughts on working, 2010, Brolga, No. 33, December

Perry, Indigo. 2017. Dance of the writer: a poetics, Brolga, No. 41, December

Pigram, Dalisa and Rachael. 2015. Cut the Sky: Traces of Experimentation in Dance and Dramaturgy in the Age of the Anthropocene. Global Performance Studies Vol. 1, No. 2.

Phillips, Maggi, 2006. Recycling patterns of text, music and dance in ‘Baroqoda’, Brolga, No. 25, December

Phillips, Maggi. 2014. Knowledge, Experience and a Dash of Rebellion: Dance Training in Australia, Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge

Pollitt, Jo. 2006. The demanding world of Rosalind Crisp: three points of immersion by a sometime inhabitant, Brolga, No. 25, December

Potter, Michelle. 1992. Archives of the Dance: Dance Archives in Australia: The Unique Material of the National Library, Dance Research, Vol. 10, No.2, 109-120

Potter, Michelle. 1993. A License to Do Anything’: Robert Rauschenberg and the Merce Cunningham Dance Company, Dance Chronicle, Vol. 16, No. 1, 1-43

Potter, Michelle. 2012. Meryl Tankard: An Original Voice. Dance Writing and Research

Potter, Michelle. 2000. Documenting Australian dance: Paul Mercurio and the Australian Choreographic Ensemble, National Library of Australia News, March 2000, 3-6

Potter, Michelle. 2002. Lifeblood: Don Asker and the Human Veins Dance Theatre, National: National Library of Australia News, March, 12-15

Potter, Michelle. 2022. Glimpses of Graeme: Reflections on the work of Graeme Murphy, FortySouth, Hobart

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Rank, Katrina. 2005. Embodied histories of contemporary dance, Brolga, No. 23, December

Robinson, Phoebe. 2018. Learn to Unlearn: A Dancer's Habit, Runway Experimental Art Magazine, No. 36

Robinson, Phoebe. 2023. Re-generative Habit, Performance Research, Vol. 28, No. 6, 39-46

Robinson, Phoebe. 2025. Essay, DIRt: Dance in Regional disaster zones. Workroom, Omeo Dance

Rothfield, Philipa. 2020. Dance and the Corporeal Uncanny, Routledge

Rothfield, Philipa & Erin Brannigan, 2014. Lucy Guerin: Human Interest Story, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 48-61

Sarwal, Amit . 2022. The Celestial Dancers: Manipuri Dance on Australian Stage, Routledge

Saunders, Emma, 2009. What Do I think About When I Think About Dancing, What Do I think About When I Think About Dancing, Lisa Havilah, Emma Saunders, Susan Gibb (editors), Campbelltown Arts Centre, 11-13

Shaddick, Lillian. 2018. Dancing Like a Brazilian: Negotiating Authenticity in Australian Samba Performance, Popular Entertainment Studies. Vol. 9, Issue 1&2, 64-78

Shih Pearson, Justine. 2010. Unsteady Belongings: Rethinking the Experience of Nation Through Movement, Australasian Drama Studies, Vol. 69, 111-141

Shih Pearson, Justine. 2012. Conundrums of placing and timing:making new from the old avant garde, Brolga, No. 36, June

Shih Pearson, Justine. 2018. Choreographing the Airport: Field Notes from the Transit Spaces of Global Mobility, Palgrave Pivot.

Smith, Melinda & Dianne Ried. 2017. The negotiations of relationship—a conversation about dance improvisation, Brolga, No. 41, December

Southcott, Jane, & Dawn Joseph. 2020. “If you can breathe, you can dance”: Fine lines contemporary dance for mature bodies in Melbourne, Australia.Journal of Women & Aging, Vol. 32, No. 6, 591–610.

Stevens, Catherine, Stephen Malloch & Shirley McKechnie, 2001. Moving mind: the cognitive psychology of contemporary dance, Brolga, No. 15. December

Stock, Cheryl. 2012. Different Inflections. Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge

Stock, Cheryl. 2015. From Urban Cities and the Tropics to Site-dance in the World Heritage Setting of Melaka: An Australian Practitioner’s Journey. Moving sites: Investigating Site-specific Dance Performance, Victoria Hunter (ed). Routledge.

Strut Dance, Strut Dance 20th Anniversary Book, STRUT - National Choreographic Centre, Perth WA

Swain, Rachael. 2014. Burning Daylight: Contemporary Indigenous Dance, Loss and Cultural Intuition. In Ethics and the Arts, edited by Paul Macneill. Springer.

Swain, Rachael. 2014. Time and a Mirror: Towards a hybrid dramaturgy for intercultural-indigenous performance. In New dramaturgy: International perspectives on theory, edited by Katalin Trencsényi and Bernadette Cochrane. Bloomsbury.

Swain, Rachael. 2015. A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance. Theatre Journal 67 (3): 503-521.

Swain, Rachael. 2020. Dance in Contested Land: New Intercultural Dramaturgies. Palgrave Macmillan

Sykes, Jill. 2007. Graeme Murphy and the SDC, Brolga, No. 26, June

Sykes, Jill. 2012. Shaping the Landscape, Shaping the Landscape: Celebrating Australian Dance, edited byStephanie Burridge and Julie Dyson. Routledge

Taylor, Gretel. 2017. Dancing into belonging: towards co-presence in place, Brolga, No. 41, December

Thompson, Anne & Erin Brannigan. 2014 Garry Stewart: Devotion, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 76-89

Thomson, Lizzie, 2017. Thoughts on Performing (inside a work / as a work / as work) at Newtown Library, Performance Paradigm, No. 19, 189-195

Thomson, Lizzie. 2019. Fierce and Fragile: Vicki Van Hout’s provocative body of work, In Response: Dialogues with RealTime, Erin Branningan (ed). UNSW

Tia Reihana-Morunga, Tia, Jo Pollitt, Dalisa Pigram, Shinjita Roy, Amaara Raheem, Rachael Swain. 2023. Southern Oceanic Choreographic Practices, Editorial, Choreographic Practices, Vol. 14, December, 99-104

Tonkin, Maggie, 2024. Choreographies of Collapse: Located and Unlocated Catastrophe in Works by Lucy Guerin, Garry Stewart and Meryl Tankard, Performance Paradigm, No. 19, 88-108

Tonkin, Maggie. 2017. Fifty: Half a Century of Australian Dance Theatre. Wakefield Press.

Trezise, Bryoni & Erin Branningan. 2014. Gideon Obarzanek: Glow, Bodies of Thought: Twelve Australian Choreographers, Erin Brannigan & Virginia Baxter (eds), Wakefield Press, 62-75

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Van Hout, Vicki. 2024. Horizon: Bangarra's Unapologetic Proclamation of Identity, Australian Book Review (28 June).

Van Hout, Vicki. 2024. Talking, Dancing, Hearing, Seeing, Writing, Reading: Notes on Plenty Serious TALK TALK., Writing Choreography, edited by Leena Rouhiainen, Kirsi Heimonen, Rebecca Hilton, Chrysa Parkinson. Routledge.

Vincent, Jordan Beth. 2007. An errand into two minds: the music of Gian Carlo Menotti in the choreography of Martha Graham and Gertrud Bodenwieser, Brolga, No. 27, December

Von Sturmer, Caryll. 1993. Margaret Barr: epic individual, Lesma von Sturmer

Walton, Jude & Pheobe Robinson. 2018. '45 Degrees‘, Flow: Interior, Landscape and Architecture in the Era of Liquid Modernity, Penny Sparke, Pat Brown, Patricia Lara-Betancourt, Gini Lee, Mark Taylor (eds),
Bloomsbury

Wait, Nalina. 2023. Improvised Dance: (In) Corporeal Knowledges, Routledge

Wait, Nalina and Erin Brannigan. 2018. Non-Competitive Body States: Corporeal Freedom and Innovation in Contemporary Dance, The Oxford Handbook of Dance and Competition, Sherril Dodds (ed.), Oxford Handbooks. 283-304

Wake, Caroline. Two decades of digital pedagogies in the performing arts: a comparative survey of theatre, performance, and dance, International Journal of Performance Arts and Digital Media, Vol. 14, No. 1, 52–69

White, Paul. 2012. Being and forgetting—creating and performing 'Anatomy of an Afternoon', Brolga, No. 36, JUne